Author | Biography | Book Cover(s) |
---|---|---|
Rodolfo Alvarado | Rodolfo Alvarado is an eclectic American writer living in Michigan. His fictional work has been published by Arte Público Press' Piñata Books, The Americas Review, The Latino Book Review, Texas A&M University Press, Caballo Press, and Somos en escrito: The Latino Literary Online Magazine. His academic works have been published by the University of Michigan Press, Michigan State University Press, The Texas Observer, Texas A&M University Press, and Alpha Books of New York. In 2020 and 2021, he was named an Emerging Latino Author by The Latino Book Review. His biography, The Untold Story of Joe Hernandez: The Voice of Santa Anita won the Dr. Tony Ryan Book Award. He holds a Fine Arts Ph.D. and an MFA in Playwriting from Texas Tech University, as well as an MA in History from Eastern Michigan University, where he was a University Fellow and a Parks/King/Chavez Fellow. | |
Thomas Zimmerman | Thomas Zimmerman is a poet, teacher, and editor. Tom teaches English, directs the Writing Center, and edits The Huron River Review, The Big Windows Review, and the WCC Poetry Club at Washtenaw Community College, in Ann Arbor, MI. | |
Colby Halloran | Colby graduated from the Circle-in-the-Square Professional Acting Workshop in New York City in 1978, where she studied with Nikos Psacharopoulos. From 1977-1980 she performed at his theatre, The Williamstown Theatre Festival in Massachusetts, as well as on Off-Off Broadway. In 1979 she became a company member and subsequently Co-Artistic Director of The Theatre Exchange, a 50-seat loft theatre in Lower Manhattan, founded by Charles Clubb. Mr. Clubb was killed in front of the theatre the following year, at which point Colby closed The Theatre Exchange, left the theatre and has been writing ever since. Colby has published three short stories before she turned to writing novels: “The Plateau” in The Southern Review, “The Pension Plan” in Emrys Journal and “Field and Stream” in American Chordata. In November 2024 her auto-fiction/memoir The Northeast Corner was published by Fifth Avenue Press (AADL). Locum Tenens, Portrait of a Country Doctor in Wales, about a hard-working elderly country doctor in North Wales who goes out on a series of strenuous house calls, and Bicycle Boy, A Death in the Neighborhood, about The Theatre Exchange. A third novel, Ffos-y-Rhiew, is about her friendship with an elderly farmer in Shropshire. “Bird of Passage,” her full-length play, premiered at the Bagaduce Theatre in September 2019. (birdofpassageplay.com) Colby is a Member of the Dramatist’s Guild. She lives in Ann Arbor with her husband. | ![]() |
Petra Kuppers | Petra Kuppers (she/her) is a disability culture activist, a writer, and a community performance artist. Petra grounds herself in disability culture methods, and uses ecosomatics, performance, and speculative writing to engage audiences toward more socially just and enjoyable futures. Her third poetry collection, Gut Botany, was named one of the top ten US poetry books of 2020 by the New York Public Library, and won the 2021/22 Creative Book Award by the Association for the Study of Literature and the Environment. Petra is Artistic Director of The Olimpias, an international disability culture collective, and she co-creates Turtle Disco, a somatic writing studio. She is the Anita Gonzalez Collegiate Professor of Performance Studies and Disability Culture at the University of Michigan, Ann Arbor. | |
Christine Hume | Born into a military family and constitutionally restless, Christine Hume lived in over 25 places in the U.S. and Europe before landing in Ypsilanti. Her latest collection of essays on sex offenders and women’s bodies, Everything I Never Wanted to Know, will be available from Ohio State University Press (21st Century Essays Series). She is also the author of a lyric portrait of girlhood, Saturation Project (Solid Objects, 2021), which The New York Times says, “arrives…with the force of a hurricane,” as well as several books of poetry. She has guest edited two issues of the American Book Review, on #MeToo and Girlhood, and is currently guest editing a folio for The Hopkins Review on walking. Since 2001, she has been a faculty member in the Creative Writing program at Eastern Michigan University. | |
Matthew L.M. Fletcher | Matthew L.M. Fletcher, ’97, is the Harry Burns Hutchins Collegiate Professor of Law at Michigan Law. He teaches and writes in the areas of federal Indian law, American Indian tribal law, Anishinaabe legal and political philosophy, constitutional law, federal courts, and legal ethics, and he sits as the Chief Justice of the Pokagon Band of Potawatomi Indians and the Poarch Band of Creek Indians. Professor Fletcher also sits as an appellate judge for the Cabazon Band of Mission Indians, the Colorado River Indian Tribes, the Grand Traverse Band of Ottawa and Chippewa Indians, the Hoopa Valley Tribe, the Lower Elwha Klallam Tribe, the Mashpee Wampanoag Tribe, the Match-E-Be-Nash-She-Wish Band of Pottawatomi Indians, the Nottawaseppi Huron Band of Potawatomi Indians, the Rincon Band of Luiseño Indians, the Santee Sioux Tribe of Nebraska, and the Tulalip Tribes. He is a member of the Grand Traverse Band. | |
Tracy Gallup | Tracy Gallup’s paintings and figures come to life in stories and poetry. Her most recent books are My First Book of Haiku Poems published by Tuttle Press and Paint the Night published by Fifth Avenue Press. In March 2023 Anna's Kokeshi Dolls will be released by Tuttle Publishing. Other picture books include A Roomful of Questions, Stone Crazy, Shell Crazy, Tree Crazy, Snow Crazy and King Cat published by Mackinac Island Press, a division of Charlesbridge, and Beastly Banquet published by Dial Books for Young Readers. | |
Davi Napoleon | Davi Napoleon is a theater historian and freelance writer whose work appears in newspapers and magazines locally and nationally. Regulars include Live Design and American Theatre Magazine, and locally The Ann Arbor Observer, PULP, and an assortment of University of Michigan publications. She holds a BA and MA from Michigan and a Ph.D. in theater history, theory, and criticism from New York University. Her book, Chelsea on the Edge: The Adventures of an American Theater, tells the onstage and backstage story of a theater that thrived in the mid-20th century and folded when funding for the arts decreased radically, even though the theater was drawing critical acclaim and loyal audiences. It reflects the larger story of the not-for-profit theater in America. | ![]() |
Ken MacGregor | When I was a kid, I wanted more than anything to be an actor. To tread the boards onstage, wowing audience members with my ability to slip seamlessly into a character. For a while, I realized that dream. I even had an agent, in St. Louis, Missouri, who got me some TV gigs, including an appearance on the Discovery Channel. All that time, though, I was also writing stuff. And, it crawled further toward the front of my brain. I wrote and performed sketch comedy for about five years, in St. Louis, and when I moved back to Michigan. I wrote a zombie movie (which we made. It’s called “The Quirk and the Dead” and it’s on YouTube. Go watch it. It’s only 16 minutes. I can wait…Pretty good, huh? Thanks. So, eventually, the guy I was making movies with (Hi, Brian!) told me to stop sending him script after script after script and to turn them into short stories. Thank goodness he did, because it turns out I love doing this! | |
Marianne K. Martin | Marianne K. Martin is one of the best-selling lesbian romance authors in the history of the genre, and her books have gained a wide international readership. She is the author of eleven novels. Her highly successful novels include the Lambda Literary Award finalists Tangled Roots, Under the Witness Tree, Mirrors, and For Now, For Always. In 2012, she was honored with the Trailblazer Award from the Golden Crown Literary Society and in 2013 she was inducted into the Saints & Sinners Hall of Fame. Marianne is also one of the founding partners of Bywater Books. Her responsibilities include managing general operations, as well as the Bywater Prize for Fiction, and working with Bywater’s new writers. | |
Author | Biography | Book Cover(s) |